站在建筑草图外的男子

A [person type] standing full-body near the edge of the frame, slightly to the left, in [real-world incomplete / empty / damaged environment]. The camera is positioned behind and slightly to the right of the person, capturing them from a three-quarter rear angle. The person stands calmly and thoughtfully, looking toward the space ahead.

The environment is [describe the real space as it exists now: empty, unfinished, decayed, rigid, lifeless]. The atmosphere feels [emotional tone: quiet, dry, historical, minimal, raw]. Natural light illuminates the scene, creating realistic shadows and depth. Floating hand-drawn sketch lines appear over and within the environment, aligned precisely in perspective with the real space. These sketches represent [what is missing / what once existed / what could exist in the future].

The sketch lines are black, clean, and hand-drawn, resembling [architectural / interior / restoration / urban planning] concept sketches made with pencil or ink. The strokes are expressive, slightly imperfect, and organic — not rigid or mechanical. The sketched elements occupy the foreground and midground, appearing closer to the person than expected. Some sketch lines subtly overlap the person’s silhouette and the real surfaces, visually merging imagination with reality. The sketches float naturally within the scene, seamlessly blending with the environment and conveying the idea of [vision / restoration / transformation / potential] coming to life.